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The Emergent Secular Modern Man :: Part VI

In this sense Vincent Van Gogh can be seen as parallel to the Psychological penetrations of Nietzsche, who will effect Sigmund Freud so profoundly. As Vincent's portrayal of a powerfully deep Essence;...

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The Emergent Secular Modern Man :: PART VII

In one of Vincent Van Gogh's sermons of 1876 he said, " Sorrow is better than Joy...for by the sadness of the contenance, the heart is made better. Our Nature is sorrowful...

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The Emergent Secular Modern Man : part VIII

On the topic of Decadence in the Fine Arts; we find at the end of the nineteenth century and after one hundred years of the Industrial Revolution; a sociological conflagration of bizarre theories...

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The Emergent Secular Modern Man : part IX

Painting remains the highest "third eye" communicator as it has the unique position to utter directness of experience as molded through the human faculties of Reason, Identity, Morals, Drives,...

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The Emergent Secular Modern Man : part X

Decadents, transgressors, and outsiders of society...each of the three painters Van Gogh, Picasso, and Klimt; turned there personal lives into experimental chambers wholly divested from social norms...

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Emmergent Secular Modern Man : XI

The context around Fritz Nietzsche's first book; "The Birth of Tragedy" of 1872, is not generally known, and at the same time is a highly significant moment in the birth of MODERNISM...

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How Central IS/WAS FRITZ NIETZSCHE .

Nietzsche's interrogation of the processes of the Mind begins with a lightning strike on the stone facade of Greek Sculpture and of writings after the first Philosophers. Yet what Nietzsche...

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The POST-MODERN ? :: Techno-World, beyond Language is STILL MODERN : PART ONE

"The MODERN WORLD" : a phrase of the Art World that suggests transformation as mankind comes to grips with the reality that 'all' we perceive IS continuously growing and evolving. The radical...

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How Central IS/WAS FRITZ NIETZSCHE PART TWO

NIETZSCHE :: the Adolescent associated with the implications of this utterly NOBLE character are inherent in the "Project" he spent his life attempting to construct. NIETZSCHE believed in stopping WAR...

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How Central IS/WAS FRITZ NIETZSCHE PART THREE

The generations that lived thru the blood baths of Napoleon's rise to power and devastating campaigning of death for over a decade ignited the MODERN AGE almost as much as the inventions of the...

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S Y M B O L I S M :: As MODERN MOVEMENT

Vincent Van Gogh and Paul Gauguin's discontent with the spiritual ills of Western Civilization was part of a sentiment widely shared at the end of the nineteenth century. Reflecting an intellectual...

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Lujo Brentano

Tocqueville worried about the "tyranny of the majority" looming over democratic cultures. Carlyle wrote a pamphlet "Shooting Niagara, and After?" Carlyle found himself predictably more depressed than...

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Lujo Brentano ... con.t

LUJO BRENTANO looked to study the problems in the most intensified Capitalist Exploited Industrial city in the then world, London. His solution would lean to a strong independent trade unionism. Back...

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MODERN (ISM)

A cultural transformation is not like the transformation of an individual. Yet in the MODERN AGE both the transformations of civilizations ; as emmerging foremost in Europe and then the United States...

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PHAETON or the MODERN NOVEL ( Part I)

"CONSCIENCE" is the profound floor of the Modern Age of : Democracy, Libertie', Freewill, and the conceptions of the Global Equalite' of Mankind. Or, possibly in a word; IDEALISM. Out of...

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PHAETON or The MODERN NOVEL (Part II)

This includes looking at ourselves. Victor HUGO's characteristic detail, the traits related to time and place. A new emphasis upon the unique, the novel, the particular, and that which is historically...

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From the Apprehension of the SUBLIME : the Art of the PICTURESQUE : the ROMANTIC

Somewhere out of the 1700's begins MODERN ART. There are KEY individual Artists; Artist's taking direction and moving the agenda of the painter onto'MOVEMENT' ; like quantum leaps...

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SHAKESPEARE's TEMPEST :: the Age of Concent ::

It's the beginning of the 1600's and the new kind of GENIUS from ELISABETH I 's Court; William Shakespeare has composed yet another stunning work for which highly educated people...

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SHAKESPEARE'S TEMPEST :: the Age of Concent :: part II

As the film "FORBIDDEN PLANET" offers not just a warning about the dangers of nuclear technology, but a more specific yet previously unrecognized allegorical representation of the physicist...

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How Central IS/WAS FRITZ NIETZSCHE part FOUR

Nietzsche lost his father young, he was five years old. Thus Fritz grew up like the poet Percy SHELLEY surrounded by women - sisters, mother, grandmother, and maiden aunts. Antecedents to a trend of...

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